John Picacio: An Artist’s View of Spectrum Fantastic Art Live


(Eddard Stark, copyright 2011, image created for 2012 A Song of Ice and Fire calendar)

John Picacio is an award-winning illustrator and quite possibly the most friendly person you will ever meet if you ever have the privilege of meeting him. I’ve corresponded with John on his website, through Facebook, and Twitter for a few years now as he is an artist whose work I admire. Late last year when I learned he would be attending the Spectrum Fantastic Art Live event in May 2012, I immediately shot him a message that I would be tracking him down when the moment arrived.

That moment arrived minutes before the doors opened at the start of the event of May 18th, when I saw John walking down the hallway outside the main venue. In a moment of boldness I called out his first name and proceeded to introduce myself with a hand outstretched. John immediately identified me as the host of this blog and brushed off the handshake for a hearty embrace. That is John all over. As I wandered the convention floor I would see John embracing fans, giving them a pat on the shoulder, devoting his full attention to them and, if my personal experiences are any judge, making their day. That brief introduction emboldened me for the remainder of the weekend as I spent time not only conversing with John, but also with artists I’ve followed for decades and others whose work was new to me at the show.

John Picacio was an ambassador for the open, friendly interactions that would come to be the hallmark for this 3-day art extravaganza. I had such a strong emotional reaction to the event that I knew I would have to blog about it in shorter increments and one of the things I hoped to do was to offer a few artists the chance to share about their own personal experiences at the show. John Picacio was the natural choice to kick this off.

Ladies and gentleman, I give you John Picacio:

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Selections from “Tapping the Dream Tree”, Part 2


(Photo Credit: Dave Neukirch)

After a week off to catch our collective breaths, Kailana and I are back to discuss the next three stories in Charles De Lint’s collection, Tapping the Dream Tree. As I mentioned last time, I will be accompanying each story with a credited Creative Commons License image from Flickr that relates in some way, at least in my mind, to the story. We discuss some general ideas in our short story discussions to give you the opportunity to join in on the discussions too, so please feel free to do so.

And now, this week’s stories.

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Horton’s Miraculous Mechanisms ~Lissa Evans



______________________

The telephone cord was hanging from the receiver, wires sticking out of the broken, dangling end.

Time to go, Stuart thought.

And then the phone rang.

______________________


Ten year old Stuart Horten considers himself a most unfortunate soul. He is unnaturally small for his age, a fact that is magnified by the combination of exceptionally tall parents and a name that shines a spotlight on his deficiency: S.Horton. His parents are extremely clever but not, as he puts it, sensible. People mistakenly believe he is younger than his ten years.

But it is the start of summer vacation and even Stuart feels like all is right with the world. Then the bottom drops out. Stuart Horton’s mom is offered a new job and the family up and moves to the small town of Beeton, leaving friends and familiarity far behind.

It is of little comfort to Stuart that his father hails from this area, that is until he discovers that there was a magician in the family, Tony Horton, who disappeared under mysterious circumstances many decades ago. Sometimes all it takes is a small spark to start fire, and this familial history strikes a match that sets young Stuart ablaze, sending him on an improbable and perhaps impossible adventure.

Lissa Evan’s first young adult novel, published last year in Great Britain as Small Change for Stuart, crackles with the energy of the endlessness of youthful summers and skillfully demonstrates why it was shortlisted for the 2012 Costa Award for Children’s Fiction and the Carnegie Medal.
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A Blissful Melancholy: One fan’s perspective of Spectrum Fantastic Art Live

It was with a feeling of great reluctance that I removed my 3-Day Member badge from the Spectrum Fantastic Art Live event when I arrived home, excited and exhausted, last Sunday evening. It was as if the lifting of the lanyard over my head would break the spell, extinguishing all the magic that had surrounded me for the past three days. It stayed around my neck as I drove across Kansas City to my home in Blue Springs and I know that I uttered more than one contented sigh as I conversed with myself, internally and aloud, about the sheer wonder of this experience.

And a wonder it was.

It will be impossible to accurately convey the immense satisfaction, the inspiration, the camaraderie, and the joy that filled these three days.

I will try, and I will fail.

I had HIGH expectations. Sky High! And by the end of Friday evening’s brief four-hour opening, those expectations were so far exceeded that I could only stand there amazed, wondering why I had set my sites so low. Take every excited word I will write, filter it through your hyperbole detector, and then magnify it to the 10th power and you might start to come close to just how special this event was. There were geek-out moments in abundance. I am, after all, an admitted fan of Fantastic Art. But once the initial shock of “oh-my-gosh-I’ve-just-met-Michael-Whelan” and “I’ve-just-stood-inches-away-from-original-Donato-Giancola-oil-paintings” passed–sort of–what I was left with was a number of genuine personal interactions with artists I have admired for years and others that I had just discovered. I was left with an impression of just how generous this community is to each other and to the fans who admire them so deeply. I was left with a feeling of awe that something of this caliber happened in Kansas City.

I was left with an unforgettable experience.

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Eclectic Musings of a Renaissance Geek