Category Archives: Art/Photography

Favorites of 2017

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(Image credit)

Based solely on the evidence here at Stainless Steel Droppings (5 posts in the entire year up to this point, not including this one), it is safe to surmise that 2017 has been an atypical year, at least in regards to reading. I have read far fewer books this year than in any year since I started keeping track, which was about two or three years before I started blogging. And out of those books that I did start reading this year, the majority remain unfinished.

I am not certain I can pinpoint any one reason. Certainly involvement in my community (church, work, family, friends) has been of much more importance to me than ever before and I have made more of a concerted effort to make memories based on interacting with others, which understandably cuts into reading time. But I have also spent more time gaming and watching various things on streaming services than I have in previous years, time that before would have been devoted to the printed word.

That being said, I have had some very nice reading experiences this year, as well as viewing and gaming experiences, and so I in no way consider this a down year…just a different one.

As before, my post is not so much a “best of” post as it is a review of what were my favorites for the year. Some of what I will share are certainly outstanding works in their own right. Others are things that made an impression on me and because of that and no other reason, they have lingered with me through the year.

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Spectrum 23 The Best in Contemporary Fantastic Art

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(Spectrum 23 cover art, “The Year of the Ram”, Android Jones)

The annual stretching out of my birthday celebration continued this lovely post-Thanksgiving Saturday with another annual tradition, the page-by-page review of the newest volume of Spectrum: The Best in Contemporary Fantastic Art, with my friend Jeff Smith.

Spectrum 23, the third volume produced by Flesk Publications, is the best volume yet under John Fleskes’ editorial reign. Given the quality of the previous two Flesk Publication volumes, built upon a foundation of greatness established and sustained for two decades by Arnie and Cathy Fenner, that is saying something.

Beauty, of course, is in the eye of the beholder, and what is inspiring, uplifting art to one may not cause the heart of another to beat faster, but I have to confess that I found much to like in the work created by the artists accepted in this year’s volume. And John Flesk and the folks at Flesk Publications have a real eye for design, showcasing the included works in ways that inspire conversation and multiple viewings.

I will share a handful of the many images that arrested my gaze below, with links to the website of the artist who created the work. Please be sure to visit each artist’s website for more examples of their work, and pick up a copy of Spectrum 23 (available in hardcover and paperback) to experience your own visual feast.

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Silver ~Stephan Franck

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“The simple truth is, there’s only two kinds of objects in this world…
the ones that shine and the ones that don’t.

My name is James Finnigan and I mostly concern myself with objects from the first category.”

Set fifty years after Bram Stoker’s seminal novel, Dracula, Stephan Franck’s graphic story, Silver, focuses on the efforts of a famously illusive con man who assembles an eclectic team to infiltrate the castle made famous in Jonathan Harker’s journals to pilfer a horde of silver from the vampires who hold it dear.

Simple, right?

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Notes from the Shadowed City ~Jeffrey Alan Love

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“I miss my home, even though I cannot remember it.”

A young man, who does not remember who he is, or how he came to the Shadowed City, is in possession of a journal that reveals that he was on a journey to research lesser-known magical swords, but nothing else of consequence.

He decides to continue writing and drawing in the journal in the hopes that so doing will help him to recall his lost memories.

And thus begins artist Jeffrey Alan Love‘s debut graphic story, a fantastical travelogue that draws the reader in with unique visuals and succinct journal entries that reveal details of the enigmatic Shadowed City and its inhabitants, while adding layer upon layer to the mystery of the unknown young traveler.

I have been excitedly following Jeffrey Alan Love’s career since first discovering his work on the cover of the Simon Ings novel, Wolves, thus I was thrilled when he began sharing his plans for pairing his artistic creations with prose to create his first book.

Notes from the Shadowed City is a lot of fun. I knew that the art would grab my attention, but the fact that Love’s words stirred my imagination in different ways when reading it on its own merit and then when pairing it with its accompanying image, was a surprise that made me very happy for what he was able to accomplish in this first book.

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The 2016 Chesley Awards

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(Image of the 2015 Chesley Award design by Joy Alyssa Day and B.E. Johnson)

Thursday, August 18th, 2016 saw the announcement of the 31st annual Chesley Awards, and I had the privilege of being there to see it happen live at the 74th WorldCon held in Kansas City, Missouri at MidAmeriCon II.

The Chesley Awards, named after famed artist Chelsey Bonestell, are bestowed annually by the Association of Science Fiction and Fantasy Artists, ASFA, to “recognize individual artistic works and achievements during a given year”.

I truly appreciate that these awards are focused solely on the artists and artistic works that bring so much beauty, inspiration, and imagination to the science fiction and fantasy community. I also welcome the fact that the short list in each of the art categories is comprised of specific works of art published in the previous year, rather than judging the artist’s overall body of work.

The unfortunate side of that method of artist recognition is that each category is filled with the kind of impressive artwork that makes you want to see everyone win. The 2016 nominees were no exception.

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