Category Archives: Gothic/Horror

R.eaders I.mbibing P.eril XII

ripxii As Labor Day passes here in America and those of us who enjoyed a day off return to work, it is time to acknowledge that Autumn is here. Perhaps not “officially”, but for me it is Autumn all the same. Particularly when the weather this week will be so accommodating, with Fall-like temperatures every morning.

Twelve years ago I started a reading event, inspired by what others were doing in the relatively new medium of “book blogging”, that celebrated the kind of old-fashioned, things-that-go-bump-in-the-night reading that I enjoyed doing come Autumn. I knew there had to be others who felt the same way I did, and I wanted to get to know them…YOU…and thus R.eaders I.mbibing P.eril, affectionately known as R.I.P., was born.

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Spectrum 23 The Best in Contemporary Fantastic Art

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(Spectrum 23 cover art, “The Year of the Ram”, Android Jones)

The annual stretching out of my birthday celebration continued this lovely post-Thanksgiving Saturday with another annual tradition, the page-by-page review of the newest volume of Spectrum: The Best in Contemporary Fantastic Art, with my friend Jeff Smith.

Spectrum 23, the third volume produced by Flesk Publications, is the best volume yet under John Fleskes’ editorial reign. Given the quality of the previous two Flesk Publication volumes, built upon a foundation of greatness established and sustained for two decades by Arnie and Cathy Fenner, that is saying something.

Beauty, of course, is in the eye of the beholder, and what is inspiring, uplifting art to one may not cause the heart of another to beat faster, but I have to confess that I found much to like in the work created by the artists accepted in this year’s volume. And John Flesk and the folks at Flesk Publications have a real eye for design, showcasing the included works in ways that inspire conversation and multiple viewings.

I will share a handful of the many images that arrested my gaze below, with links to the website of the artist who created the work. Please be sure to visit each artist’s website for more examples of their work, and pick up a copy of Spectrum 23 (available in hardcover and paperback) to experience your own visual feast.

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Ostensibly a review of Trigger Warning by Neil Gaiman

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“I grew up loving and respecting short stories. They seemed to me to be the purest and most perfect things people could make: not a word wasted in the best of them. An author would wave her hand and suddenly there was a world, and people in it, and ideas. A beginning and a middle and an end that would take you across the universe and bring you back.” (Neil Gaiman, in his Introduction to Trigger Warning)

Nobody writes like Neil Gaiman.

A bold statement, and one that could be written with conviction about any beloved author.

Because the statement encapsulates a two-fold truism: each author has their own way of crafting the stories that occupy their head and heart, and each reader has their own personal encounter with the stories that captivate their imagination.

We all have our favorite authors, those whose skill–for any author whose work inspires high esteem could be said to possess some skill–and creativity combine to make their stories into the ones we cherish and hold closest to our hearts. Their ability to capture our affections could almost be described as magical for all the success we would have in defining just what combination of ingredients make their stories so potent.

Neil Gaiman is one of those authors, for me. I was hooked with Sandman and its many allusions to great works of literature, to mythology, and to the history of comics. But it was the novel Neverwhere that convinced me that Neil Gaiman had the uncanny ability to pluck story threads from the canvas of my daydreams. He was the first author I had ever encountered that gave me a feeling that a story had been written just for me.

He continues to do that to this day.

Perhaps you begin to see why I wrote that this is ostensibly a review of Neil Gaiman’s newest short story collection, Trigger Warning.

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Spectrum 21: The Best in Contemporary Fantastic Art

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November 2014 saw the first fruits of the passing of the torch, with the twenty-first volume of Spectrum: The Best in Contemporary Fantastic Art being released by Flesk Publications, under the editorial hand of John Fleskes.

After two decades of bringing fans of science fiction, fantasy and horror art a beautiful, comprehensive annual collection of fantastic art, Cathy and Arnie Fenner announced at Spectrum Fantastic Art Live 2(May, 2013), that they were turning over the editing and publication of the Spectrum art annual to John Fleskes.

If you have had the privilege of holding a Flesk art book in your hands, you know that the Fenner’s made a great choice. The purchase and perusal of Spectrum has been one of my favorite annual traditions since volume eight, and I have been excited to see what John Fleskes would do with his first release.

That anticipation was rewarded with a fantastic (pardon the adjective) volume of art. Spectrum 21 maintains the high production values of previous volumes and has a familiar structure while including touches from John Flesk that kick off the book’s third decade with a bang.

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Annihilation by Jeff Vandermeer

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…when you see beauty in desolation it changes something inside you. Desolation tries to colonize you.

Area X was an area cut off from the rest of civilization, reached only by an enigmatic process of crossing a border. Reclamation of the land by nature was erasing any evidence of previous human habitation. Mysteries spark curiosity, and several expeditions had been sent into Area X armed with supplies and the ongoing mission of “investigation of into the mysterious Area X, slowly working [their] way out from base camp”.

The first expedition came back with descriptions of an Eden. Mass suicide was the result of the second expedition.  And the members of the eleventh expedition returned as mysteriously as they left and soon after died of cancer.  Now the twelfth expedition is set to depart.  The four women who make up this expedition–a surveyor, an anthropologist, a psychologist and a biologist–are tasked with mapping terrain and documenting all that they see and experience, while somehow managing to avoid the dangers of Area X.

Jeff Vandermeer’s first novel in the Southern Reach Trilogy weighs in at 195 pages, but in those pages he delivers a tight, menacing tale that begins shrouded in mystery and progresses with revelations that serve to deepen that mystery while wrapping the reader in an ever tightening grip of suspense.

I have learned to expect the unexpected with Jeff Vandermeer. Even then, I didn’t expect this.  9/10 stars.

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