Don’t Be Afraid of the Dark, Film Review

It was a (almost dark) and (threatening to be) stormy (evening), need there be any other excuse to go see the latest film presented by acclaimed director Guillermo de Toro?

I thought not.

There is a power that draws me, like a moth to the flame, to films with scary old houses, children, and things that go bump in the night. When a film can combine those elements with the requisite thunder storms and power outages and menacing threats that tell the houses’ inhabitants that they should run like hell lest they become the latest victims, the part of me that wants to be deliciously scared stands up and takes notice.

And once in a while this type of film will have that something special, that spark of All Hallows magic, that will propel it to that cherished status wherein it becomes a film that I want to watch time and again when the days shorten and the nights grow long and chill. Films like The Others, El Ofranato (The Orphanage), and Pan’s Labyrinth have attained that station in our home.

I was hoping for a similar connection with Don’t Be Afraid of the Dark. Did it have that spark?

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The Magicians ~Lev Grossman



The Magicians ~Lev Grossman

–published 2009
–Viking Penguin
–402 pages
–5/10 stars

From Amazon:

“Mixing the magic of beloved children’s fantasy classics (from Narnia and Oz to Harry Potter and Earthsea) with the sex, excess, angst, and anticlimax of life in college and beyond, Lev Grossman’s Magicians reimagines modern-day fantasy for grownups.”


Lev Grossman’s novel, The Magicians, is a book with a cover image that I have burned with lust for ever since its release, but the premise (the one I gathered from bits and pieces of conversation, not the one I quoted above) was not sufficient enough for me to give in to those desires. On a recent visit to Barnes and Noble I saw several pristine hardcover copies of non-remainder-marked publishers overstock copies for $5.98. I was undone. With my discount I paid a little over $5 for this beautiful book. And it is not just a beautiful cover. The book itself is graced with hand-drawn maps for end pages and has the kind of uneven cut edges that inexplicably excite me. I went right home and started reading it, burning through it in a matter of days.

Somewhere along about the middle of the book, the cover illustration started to lose its luster. While I can still look at it and see its promised beauty, the gorgeous cover unfortunately houses a book that is everything it was advertised to be, this reader was just too far seduced to read the fine print. Had I read that above quote from Amazon.com I would not have heeded the siren call. And you might be surprised to know that it is the words “angst, and anticlimax of life…” that would have told me that this book, while a looker, was not for me.

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Jane Eyre Film Review, 2011

When looking for the quintessentially gothic tale, one need look no further than Charlotte Bronte’s classic novel, Jane Eyre. For one hundred and sixty-four years Bronte’s novel has captured the imagination of readers the world over. In addition to its social commentary and moody, atmospheric romance, Bronte’s novel survives and thrives because of the strength of its eponymous heroine. As with many of the lasting works of 19th century female authors, it is to be expected that every so often a new set of writers and film makers will bring their own interpretation of it to the big screen. Don’t misunderstand me, I couldn’t be more happy. I like a good period film.

I had every intention of seeing this film in theaters when it was released in March, but the road of good intentions did not lead me to the box office. And so the family made an extremely rare trip to the local video store on Friday night to bring Jane home for visit.

It was a wise choice.

Jane Eyre is a starkly beautiful, moody film overflowing with an atmosphere of gothic romanticism. The nuanced performances are subtly effective in building sense of unease and foreboding, even for those well-versed with Bronte’s plot.

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Fragile Things Group Read, Week 1

“I think…that I would rather recollect a life mis-spent on fragile things, than spent avoiding moral debt.”

“Stories, like people and butterflies and songbirds’ eggs and human hearts and dreams, are also fragile things, made up of nothing stronger than twenty-six letters and a handful of punctuation marks…But some stories, small, simple ones about setting out on adventures or people doing wonders, tales of miracles and monsters, have outlasted all the people who told them, and some have outlasted the lands in which they were created.”

It is my great pleasure to be hosting a group read of Neil Gaiman’s short story collection, Fragile Things. 32 stories (including the Introduction and its special surprise)–Four stories each week for Eight weeks. I like the symmetry of that. I also like that it is a manageable task set amidst all that one has to fit into a 24 hour day. Short stories are best savored slowly, a lesson I have yet to properly learn, being a person who tends to gobble them up like sweets.

The expectations are few: read the stories and share whatever you want about them, good or bad, simple or profound, erudite or concise. The idea is not to limit yourself to non-spoiler conversation, so I’ll caution those who follow along here and elsewhere. If you plan to experience these stories for yourself it may be best to do so before reading these posts.

For those who are participating and those who have read these stories before and those who just feel inspired because of the conversation, please share whatever you so choose. I look forward to talking Neil Gaiman with you over the next eight Sundays.

Let us begin.

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The Fellowship of the Ring Group Read, Part 1

“Home is behind, the world ahead,
And there are many paths to tread
Through shadows to the edge of night,
Until the stars are all alight.
Then world behind and home ahead,
We’ll wander back to home and bed.”

This past Sunday morning dawned with a near 30 degree change in the high temperature and a taste of autumn on the wind. It was at that moment that my commitment to participate in the Lord of the Rings group read solidified. I grabbed my copy of The Fellowship of the Ring, went out in the chill air to sit on the back deck, and began my journey. By days’ end I was nearly half way through the book and realized I needed to stop and set it aside so that I could stay on course with the reading schedule so that the chapters being discussed would be fresh in my mind.

Andrea, one of the hosts, had mentioned this was her first time to read through the books. I mentioned, with utter conviction, just how cumbersome and at times difficult the first quarter or so of The Fellowship of the Ring was for me the first time I read it and encouraged her to not be dissuaded by this. And it was the complete truth. I did not enjoy the effort I was making trying to get into this book when I read it almost 10 years ago. I expected the same to be true this time and was determined to soldier on until I got to “the good part”.

Imagine my surprise when I discovered I was in “the good part” right from the prologue! I’m not sure why, maybe because I have matured in my knowledge of and appreciation for what Tolkien accomplished with his life’s work, but this first section of the book practically sang to me. There were revelations and pleasant surprises on nearly every page. I found a wickedly clever sense of humor, a number of seeds planted that will grow into bigger story elements later on, and found that I actually enjoyed spending this time with just the Hobbits by themselves, before Aragorn comes into their lives and their journey takes a decidedly downward turn.

It is my great pleasure to be posting this first of three discussions on The Fellowship of the Ring. There will undoubtedly be spoilers ahead, so please be warned.

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Eclectic Musings of a Renaissance Geek