All posts by Carl V. Anderson

An Interview with Edward Howard

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(All images copyright Edward Howard)

At the inaugural Spectrum Fantastic Art Live last May I had the pleasure of meeting artist Edward Howard and his lovely wife, Rachel Crane. When my friend Jeff and I first arrived at his booth, Edward was not there and his wife showed us around, very apparently proud of her husband’s work. She was very sweet and kind, and Edward Howard turned out to be equally as kind when he arrived and we were able to visit with him (the first, but not last, such visit that weekend).

Edward Howard’s paintings have an Old Master’s quality to them, especially when you see them in person. There was such a dark richness to the quality of the paintings and the closer you got to them even more interesting details were revealed. There was often more to take in than just one viewing would allow. In some of his painting his wife Rachel was his model and you could tell that those were very special pieces to both of them. And honestly they are among his very best work.

I emailed him soon after the event to set up an interview, which had to be postponed for the early summer while he and his wife returned to Kansas to help relatives with the harvest (anyone who thinks artists don’t work hard? Think again!). Time then got away from me, as poor as an excuse as that is, and suddenly it seemed like the best idea would be to bring this out prior to Spectrum Fantastic Art Live 2. And that is just what we did. Take a moment with me now to enjoy Edward Howard’s art and his personal insights, and then click on the link at the end to visit his site and see these images in a much larger format so that you can enjoy the exquisite detail.

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An Interview with Michael Whelan

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(All images copyright Michael Whelan)

There is no other artist whose work has been as prominent in the course of my life than Michael Whelan. When I think back to my earliest remembrances of discovering science fiction and fantasy it is Michael Whelan’s cover illustrations for Second Foundation and Foundation’s Edge (both by Isaac Asimov) that are etched on my brain. Michael Whelan’s art made me want to read books, those books, to discover the stories that inspired the images. His work continues to do that to this day. Over the course of the last few years I have set about collecting a number of books whose Whelan covers haunt (in the very best way) my childhood, adolescence, and early adulthood. “Sense of wonder” captures it perfectly, and that feeling of awe that his work evokes has only grown stronger over the years. I know that many of you feel the same way.

When Arlo Burnett, Event Manager for Spectrum Fantastic Art Live, emailed a few weeks back and asked if I would be interested in doing any promotion for SFAL2, I jumped at the chance and asked if I could possibly interview some of the guests scheduled to attend. Given how busy these artists are with their work and appearances and the rapidly approaching event date I hoped, but did not expect, that many would have time to participate. You can only imagine how thrilled I was to see Michael Whelan’s response. I was able to converse with him at last year’s inaugural Spectrum Fantastic Art Live event which was a pleasure I will always cherish, as is the honor of his participation in this interview.

Without further ado, allow me to introduce Michael Whelan via the bio present on the Spectrum Fantastic Art Live 2 artist page:

Michael Whelan has been working as a science fiction and fantasy illustrator for nearly four decades. He was the first living artist to be inducted into the Science Fiction Hall of Fame.

He has provided illustrations for more than 350 books and magazines, as well as record album covers and Magic: The Gathering cards. His body of work is truly astonishing, and he has received accolades and awards including 15 Hugo Awards, three World Fantasy Awards and many, many more.

He has been published in many art collections, including “Michael Whelan’s Works of Wonder” and “The Art of Michael Whelan: Scenes/Visions.”

I highly recommend a visit to Michael Whelan’s website, which has many examples of his iconic art as well as more detailed biographical information and his personal Artist Statement. It will be time well spent.

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Spectrum Fantastic Art Live 2

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(Image credit)

Donato Giancola said it best last year, and as I look at the image painted by artist Gregory Manchess and hear Donato’s words reverberating in my head, it all comes back to me. For I too was there. And it was an unforgettable experience.

In less than two weeks the event that rocked the fantastical art world returns to Kansas City, Missouri–Spectrum Fantastic Art Live 2–and if there is ANY way that you can manage to get here, you need to do so.

200+ artists, unfettered access to beautiful artwork and some of the genuinely nicest creative people you will ever meet, inspiring panels, the Oscar-style Spectrum 20 awards ceremony, and lots of reasonably priced swag for you to take home with you. All for only $40 for a 3-day weekend or $20 for a one-day pass. When I think back to what my $40 allowed me to participate in last year it is enough to bring tears to my eyes. The experience was INCREDIBLE.

The cool thing about the $40 option is that it gets you an extra preview day on Friday, May 17th. Five hours of VIP access to the artists and their work plus the after-event party. There will be fewer people there on Friday and it will be very special, I assure you.

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“Paper Menagerie” by Ken Liu

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(Image/creation credit)

Ken Liu’s record-setting short story “Paper Menagerie“, the first to win all three major science fiction awards (the Hugo, the Nebula, and the World Fantasy Award), tells the story of young Jack and the complicated relationship he has with his Chinese mother and ultimately with himself as a mixed-race child.

I picked “Paper Menagerie” sight unseen, confident that my respect and admiration for previously read Ken Liu stories and its numerous accolades would make for a good story to read and discuss. Depending on your reaction to it, I either succeeded in my assumptions or failed in spectacular fashion.

For “Paper Menagerie” is, arguably, a highly-effective, tightly-woven story about a boy’s relationship with his mother and the way in which that goes from touching to tumultuous as a boy grows up. It is a sad story, I will warn you now (if you haven’t already discovered that for yourself) but ultimately I feel that it is worthwhile firstly because it is a great example of the power of the medium of short stories and secondly because it packs a powerful punch, reminding us of the importance of allowing forgiveness and healing in our lives while the time remains to do so.

I hope you’ll click on the link above, give it a read, and come along with me for a discussion.

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Iron Man 3: A Non-Spoiler Film Review

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Do you remember the moment in the first Iron Man film when RDJ installed the electromagnet in his chest and then pulled a t-shirt over it and you could see it glowing underneath? That moment? Ya…well that was the moment I thought how cool it would be to have that look.  I don’t need the suit, just the cool ice-blue glowing thing.

Now that I’ve gotten that off my chest (really? Did you honestly think I could resist that bad pun?)

At a Glance: Robert Downey, Jr is back as slick-talking, sarcastic Tony Stark, aka Iron Man.  In this third round he and Pepper Potts are a couple and are experiencing the growing pains expected in any relationship…involving a wealthy, obsessed, genius superhero.  After a long, self-obsessed life, Tony Stark has left some destruction in his wake and in Iron Man 3 he discovers that no matter how fast you can fly, or how indestructible your armor, you can only stay ahead of your past for so long before it catches up with you…and exacts its revenge.

Pros: RDJ was born to play this role. He gets better at it with each iteration; smart cast; clever direction; a more mature film. Shane Black was the perfect choice to helm this film and it shows from start to finish.

Cons: Ben Kingsley is a bit annoying at first (but stick with it); post-credits scene was fun for me but judging from audience reaction it was a bust; credits go on for looong time.  (I’m reaching here folks. I liked it).

My Thoughts: Shane Black revived Robert Downey Jr for me.  With the brilliant detective film Kiss Kiss Bang Bang, Black created a role that RDJ was able to crawl into and inhabit. It was the screen presence in that film that caused me to be very excited when Marvel announced that RDJ would be their Iron Man.  Comic book films are fun, and I judge them by what they are.  My expectations are often filtered through the “its a comic book movie” lens.  But every once in awhile one connects with me on a slightly higher level and thanks in large part to Robert Downey Jr, the Iron Man franchise has made a connection. All three of the films have their inherent faults, but this third film, with an emphasis on existential angst and a theme of the boy growing up to be a man, is my favorite of the lot.  Like the most recent James Bond film, there is a maturity to Iron Man 3 that I did not expect, but welcomed.


My Rating: 

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