Friday Favorite: Geoffroy Demarquet

Photographers have not been near as well represented on my Friday Favorites in comparison to other artists and I discovered so many interesting photography sites a few weeks ago that I thought I would share the work of another photographer with you today: Geoffroy Demarquet. In what little searching I completed I could find little about this photographic artist beside the intriguing examples of his work…or at least little I could read since French is not my first language. Or my second…or third…or, you get the point.

I certainly do not need to speak the language to have an emotional response to his photography, however, and so I would like to share just a few of his images that I found interesting.

A large number of Demarquet’s images possess what I would personally describe as flow. Whether that be through the natural shape of the object, like in the tree image that begins this post, or in the many pictures in which he has his model bending or swaying or curving somehow–these images flow, the have their own movement.

The above images, and many others in this series, remind me of the scene in Elizabethtown where Orlando Bloom’s character is encouraged by Kirsten Dunst’s character to pull over to the side of the road and get out and dance. That arms stretched wide open gesture just seems to say ‘life’ to me.

There is an almost giddy playfulness to some of Demarquet’s imagery.

Whenever I see a green cast image like this I think of some of the scenes in Amelie that were colored with a similar hue. In addition I really like this shade of green.

There is such a sense of isolation to the above image that it is really striking. At the same time (and I apologize for the fact that Geoffroy Demarquet’s photographs keep conjuring up images of various films…it is just where the work is taking me) the image reminds me of a scene from the film adaptation of S.E. Hinton’s famous book, The Outsiders. You remember that film, don’t you? Or are most of you too young for that? There is a scene, or scenes, in a park that this image recalls to mind.

And although Geoffroy Demarquet does not have many images like the above on his site, I not only thought this one fit nicely with the green theme of the last few images but I also happen to really like it. I love the curve of the blades of grass. It also unfortunately reminds me that I need to mow!

And before we move on I just have to encourage you to really be looking at the textures of some of these images. The grass in the S.E. Hinton-esque image especially. Just look at the texture of that lawn.


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These two images come from a series Demarquet entitles The Schizophrenia. I just love what he does with the use of layers to create the mood of isolation? madness? Though possibly depressing and a bit on the creepy side I do find these images to be very creatively stimulating.


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Geoffroy Demarquet has a series called Diptychs and I really enjoyed the one below the best. Again you get this real sense of graceful movement and flow.


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There is a melancholy sadness and a somewhat ghostly nature to his photographs which probably makes him a more appropriate FF for the autumn as compared to in the spring. But I just really was amazed by some of these and just had to share them.

Is it just me (I have no doubt it is) or does the above image remind you of the crack in the wall in Edgar Allan Poe’s tale, The Fall of the House of Usher?

In many of Geoffrey Demarquet’s images, at least the ones that caught my eye, he has either a mysterious figure in the far background or a figure acting mysteriously. I like that this series of images have an almost ‘ghost-captured-on-film’ feel to them.

Again so much of what makes these images work and stand out is the texture. Whether Demarquet is capturing texture with his lens or working texture into the image afterwards it is that tangible, tactile quality that gives an added attraction to his work.

But for all the eerieness of those images, none scare the sh*t out of me like this one does:

It is probably just the parent in me, but don’t you just know that kid is going to fall off? Can’t you sense it?

I enjoy these images in which it appears that the person is standing at the edge of the world. I also enjoy how Geoffrey Demarquet sometimes adjusts the colors on his images to give them an over all one-color cast.

The waves at the bottom of this picture look so real, and so present, that I just feel like I could reach out and touch them.

This image combines both elements of movement/flow and texture that I have been focusing on. It is simply gorgeous the way her hair is flowing over her face and the focus and detail practically make each individual strand stand out. Beautiful image.

The relatively bright sky, with hints of blue, makes a change from the more melancoly (which I love) images with dark and brooding clouds.

It is certainly a contrast to the kind of spring we have been having the last few days to see these more autumn/winter like scenes of fear:

Rejection:

And death:

Isn’t that a great image? Reminds me of an alternate cover for the novel The Brief History of the Dead by Kevin Brockmeier.

There is a painting by Michael Whelan which is possibly called The Arrival. In it a woman is sitting in some form of cylindrical ship that has landed on earth, or an earth-like planet, and she can see the world open up in front of her. This image reminds me of that, only with a darker mood. It also reminds me of this walking trail through an old railway tunnel that we visit when we go on our annual anniversary trip.

This one is ever so slightly more menacing with the silhouette of the guy in the tunnel. The first time I looked at this I didn’t see the guy and I jumped inside when my eyes focused on him. The pose of the woman and the way her hair appears to be done also conjures up images of El Orfanato, The Orphange (here he goes with the movies again!).

To lighten the mood (and of course to include a redhead) I had to show you this picture. Isn’t it both fun and stunningly composed at the same time? I have to wonder about the symbolism of the remote control in relation to the rest of the picture.

Lovely image–the organic shape of the female form as juxtaposed against the inorganic functional form of the building. I really like the way the clouds are reflected in the glass of the building. It is a vertigo inducing shot in some respects that has such an interesting look to it that it doesn’t even seem real.

Geoffroy Demarquet has a few polaroid images on his site and this is certainly my favorite of them. Light bulbs will forever be a favorite artistic object of mine ever since I saw the Royal Shakespeare Company perform A Midsummer Night’s Dream on Broadway years ago. They used light bulbs and umbrellas as very interesting set design pieces and props. Incidentally that version (see link above) is on DVD for purchase or rental. I recommend it, it is an interesting version of the play.

The polaroid image seques nicely into the above image. Don’t you just love that one? Demarquet has such an interesting way of composing his photographs and I especially like this one. The look on the girl’s face is absolutely priceless. This is certainly one of his most well done images in my opinion.

As I said before Demarquet has a bunch of these images with this model posing in similar poses against different backdrops. I generally enjoy the results and wish I could read more about why he does this or what the symbolism is.

Geoffrey Demarquet has few digitally created shots of this nature but I liked this one so much that I had to share it.

And that is today’s Friday Favorite. I hope you visit his gallery site to see many more examples of his moody, atmospheric and yet oddly fun photography. Few of his images were titled on his site though the one I am closing with was entitled “The ending…”. It is a perfect title considering the obvious implications of the picture and it says that in quite a powerful way. I like the mystery of it and again think he has a great artist’s eye when it comes to the composition of a photograph.

And so, given the title, it seems the perfect image to send you off for the weekend. Have a great one, everyone!

25 thoughts on “Friday Favorite: Geoffroy Demarquet”

  1. wow! he’s incredibly inventive. there are so many different things that he’s playing with.

    i agree with you, i like the way he uses flow in his images. i personally respond to his use of space. its really clever and quite moving, in a gentle way. i’m thinking of those with people in the far distance, or in a little corner of the picture.

    i especially like the one with the amelie-green grass in it. i also like that ghost-captured-on-film one a lot, again for its use of space.

    thanks for sharing!!

  2. “Stay gold, Ponyboy…Stay gold” 🙂

    So yes, I guess I do remember the book, and I think I’ve seen the film too.

    Some of those photos are great. I’d love to see them on a wall somewhere

  3. Another brilliant find, Carl! His work is wonderful. But I keep going back to the first photograph…the tree…I absolutely love it!

  4. Those pictures are brilliant!! And yes, the I can totally see The Outsiders in the park!! I guess I AM dating myself with that one. But it was a pretty big deal when I was in jr. high. I mean, come on. All those hot boys in one place!! Besides the fact that I had actually read the book, and counted it as one of my favorites, even back then.

    Amazing post, as always!

  5. Amazing photographs!! You’ve been posting some incredible artwork lately! It’s such a pleasure to stop by and see what you’ve discovered and are sharing with us! Also, I’m with Debi — I love that tree!

  6. There are several images that I kept going back to examine again. Some I wanted to see how he’d created while others were just really compelling.

    Thanks Carl–excellent find.

  7. Mosker: Thanks, I too am curious about the techinques used to create some of these images.

    Janet: yes!

    Robin: Isn’t that tree great? I love it. It is fun to find interesting stuff to share with all of you.

    Stephanie: I remember reading the book as well and watching the movie several times on video.

    JP, Fence: I too would like to see these blown up to very large proportions. That would be an experience.

    Debi: As I said to Robin, that tree is great, isn’t it?

    Fence: You crack me up. I hadn’t thought of that line in years. Makes me want to go back and watch it to see how it holds up after all these years…decades…

  8. fabulous find! Love the 2nd tunnel picture and ghostly woman in the surf. the resolution on the images is amazing, individual strands of hair are sooo sharp. For some strange reason the woman on the bucket reminds me of Alice in Resident Evil, no idea why. Cool stuff & thanks for sharing. ^_^

  9. Susan: I see Alice, yes…

    I love the tunnel images too because of the reasons I talked about in the post, it feels like I’ve been there just because of the vague similarity to the tunnel that my wife and I have visited.

  10. I keep staring at these photos, especially the ones with the ghostly effects. The tunnels, the expansive empty spaces – I imagine there are these untold stories in each of them. It makes me want to write their stories.

    They are very compelling indeed. Thank you for posting these. I have to pass these on.

  11. What an incredible photographer! I think you clearly defined the heart of his work with the single word “flow”- that really seems to sum it up nicely.
    I love the second image especially – you can feel her exuberance sense of freedom.
    …now help me out – is that Johnny or Ponyboy in the park?

  12. Simply evocative photos! I particularly like how Demarquet is able to capture so much in one pose or expression. Utterly stunning. I had to look at each quite carefully to see if I missed something. Seriously, this is a wonderful find, Carl. :]

  13. Orchidus: Thanks. The biggest shame in showcasing photos like this is that most of them look their very best in the larger format shown on his site and would look even better on a larger scale than that. I was happy to come across his site a few week’s back when branching out from Anne-Julie Aubry’s links.

    Ken: Hmmm…not sure which Outsider that is. 😉 Glad you like the ‘flow’ definition. It certainly is oddly used by me in this context but for some reason that word just stuck in my brain and I had to describe it that way.

    Dark O: There certainly are stories in these. You should write them.

  14. Being interested in photography as an art and as a person, who would like to start photography himself, I just have to say that this man is a genius. I love the grey/melancholy spectre of colors, especially ghastly shades of blue and green. The angles he uses twist reality in such abstract ways to invoke isolation/loneliness and depression.

  15. There is certainly a lot of melancholy isolation and emotion in his work, I am really drawn to it. If you ever do start taking your own pics make sure you post them Harry and let me know.

  16. It’s the general idea actually! I am going to be so lousy, when I start, but I have this idea for after the June exams to do a photo session with my friend, who will pose as the 7 deadly sins and then do something gothic as well. I look forward to that.

  17. It all takes time and practice, Harry. Having a great idea that motivates you to work on it and hone your skills is a really good foundation. I really like the 7 deadly sins idea.

  18. Wow. I’ve been looking at these. I love the ghostly ones, and the very first, one, and the colors. Fabulous. If they are this vivid through a computer, imagine what they are like in front of you on a wall? there is such a depth in the colour and contrast, in texture. Really striking, thoughtful photos, and the ghostly ones are really uncanny. I’ve been writing a short story involving a photographer and a camera that takes pictures of ghosts….now I have a better idea of what could happen! As alway, excellent idea, Carl!!

  19. these definitely are evocative images – i being an image ‘freak’; i very much like the ghostly / double images … i like the idea of removing oneself. I notice that the majority of the images contain only one figure …. even if they are dancing, joyful …. there seems to be a feel of isolation in his work. A desire to see only the individual alone in a space and how they respond to that space …. it is haunting.

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