I first became aware of this collection of pulp-era short stories by author Robert Silverberg when George Kelley posted a picture of the book and its table of contents on his site last fall. The moment I saw Kieran Yanner’s dynamic retro cover I knew this book would have to be mine. I was reminded of the book when posting about my favorite SFF covers from books published in 2011 and promptly ordered a copy. Over the last two days I have immersed myself in the world of pulp-era science fiction and in so doing have discovered the talent that later propelled author Robert Silverberg to Grand Master status.
Pulp-era stories are all too often written off as something of inferior quality and in many ways in a best case scenario the term “pulp” has come to be synonymous with nothing more than guilty pleasure reading. I suspect that there is a great deal of merit in that. Common sense would dictate that in the heyday of pulp magazines publishers were cranking out magazines as fast as they could and authors were expected to follow a formula, write quickly, and be as prolific as possible if they wanted to make a living and keep their work in the public eye. And to be certain there is probably much in the days of pulp science fiction that wasn’t worth reading then and does not merit attention now. By the same token, there are common themes, archetypes, and story structures in pulp adventure stories that resonate with today’s audience. In my childhood it was creators like George Lucas who reached back into the pulp era for inspiration when crafting what would become the pop cultural phenomenon Star Wars. And though some may be loathe to admit it, there is a universality to these tales that are the ancestors of popular stories today.
The stories are often sensational, featuring rugged heroes prone to decisive action, conflict between defined “good guys” and “bad guys”, action over characterization or science, romantic melodrama over reason. These are space yarns, at times little different than their mystery or western counterparts. The setting may be on another planet or on Earth in the far-flung future but the stories themselves are as recognizable to fans of fiction in general as they are to fans of the genre of science fiction.
Continue reading Hunt the Space-Witch! ~Robert Silverberg →
