
Mostly Martha (Bella Martha) is a wonderful German movie that Mary and I watched again this weekend (thank you Netflix!). In recent years there have been a growing number of movies made that could be classified as “food and love” romances and Mostly Martha fits into that category. They are the kind of movies that make you want to go into your kitchen and prepare an amazing meal.
Martha (Martina Gedeck ) is the chef at a very posh restaurant. Her life both inside and outside of the kitchen is lived with an obsession for perfection, a fact that frequently finds her at odds with her employer and argumentative with customers who have complaints about their food. Food is Martha’s life, a fact shown humorously in her discussions during employer-ordered therapy. Martha’s ordered, and frankly lonely, existence begins to become unraveled when she becomes ward of her recently orphaned niece Lina (Maxime Foerste). Longing for someone to cook for, Martha finds herself with a house guest who refuses to eat. Martha continues to make the effort to bond with her niece but finds her to be quiet, morose, and stubborn…..traits not uncommon in Martha herself. Adding to the unraveling is the addition of a loud, up-beat Italian chef (Sergio Castellitto) into Martha’s kitchen, an addition not welcomed by Martha. In Martha’s attempts to share both her kitchen and her home we see the beginnings of Martha’s willingness to share her life.
The casting in this film is excellent. Being a German film I have not seen any of the actors/actresses before. Having seen them in these roles I couldn’t imagine anyone else stepping in. Martina Gedeck is beautiful in a very natural, non-made-up manner and she conveys the aloneness of her character so well. As she begins to interact with other characters and we see her open up this feels very natural, not forced. Sergio Castellitto is marvelous as Martha’s opposite in both mood and manner. He is a very lovable character that you like instantly.

The music in this movie is also excellent. I was very disappointed to find out that they did not have a soundtrack for this film. There are several instances in the film where solo piano music, or piano and saxaphone music, play over the sound of the film and the music in those instances is beautiful. The music during the melancholic moments of the film reminds me of some of my favorite piano music found on the album December. This film also features one of my favorite songs, Via Con Me, by Paolo Conte. The first time I heard this song was on the French Kiss soundtrack. Though there is no soundtrack someone on Amazon.com kindly made a list of the albums where the various songs can be found.
It would be a misnomer to call this movie a romantic comedy as that term frequently conjurs images of the standard, formulaic American version of a romantic comedy. There are many humorous moments in this film but they aren’t laugh-out-loud funny, they are touching comical moments that help us to better know the characters. Like many foreign movies, the pacing of this movie is not the same as similar American movies. Saying this movie is slow brings up connotations that the movie is boring when in fact it is just the opposite. In reading another review I came across this statement which I think sums up the pacing of this film, “a story like this requires patience. Patience and the love for good food are two of the requirements this film asks of us”. I agree. Like a good meal this movie is meant to be savored. I love movies in which food and food preparation play such a central part of the relationship between characters. Watching this movie over a lovingly prepared meal with good friends and a bottle of good wine would be the perfect way to experience it.
If you’re interested, the trailer can be viewed here.
















